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Mediations of Disruption in Post-Conflict Cinema

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Cover of 'Mediations of Disruption in Post-Conflict Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Towards a Poetics of Conflict in Film
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    Chapter 2 Post-conflict Cinema: Beyond Truth and Reconciliation?
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    Chapter 3 The Sovereign’s Broken Voice. On the Cinematic Politics of Representation
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    Chapter 4 Long Is the Road : Politics of Memory in an Early Jewish-German Postwar Film
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    Chapter 5 Cinema and Conflict in Postcolonial Mozambique: Archival Images as Illustration and Evidence in Estas São as Armas (1978)
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    Chapter 6 ‘What’s This War in the Heart of Nature?’ Fire, Water, Earth and Air in Terrence Malick’s The Thin Red Line
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    Chapter 7 The Trauma of Terrorism: Post 9/11 Hollywood Cinema
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    Chapter 8 A Letter to Osama bin Laden. On Healing and Conciliation in Sharon Maguire’s Incendiary
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    Chapter 9 Memory and Representation: Japanese Terrorism in Distance and United Red Army
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    Chapter 10 Narrative Outbreak in Contemporary Conflict Cinema: A Case Study of Steve McQueen’s Hunger
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    Chapter 11 A Look Back or a Look Ahead? Cinematographic Approaches Toward the ‘Refugee Problem’ in Post-War Germany
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    Chapter 12 Londres en Colère . Of ‘Translated (Wo)men’, Cinema and the City of Our (Dis)content
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    Chapter 13 A Palestinian Film We Call Home: Women’s Cinematic Bodies Out of Place
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    Chapter 14 Challenging Notions of War: Sexual Exploitation of Eastern Migrants in Promised Land
Attention for Chapter 6: ‘What’s This War in the Heart of Nature?’ Fire, Water, Earth and Air in Terrence Malick’s The Thin Red Line
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Chapter title
‘What’s This War in the Heart of Nature?’ Fire, Water, Earth and Air in Terrence Malick’s The Thin Red Line
Chapter number 6
Book title
Mediations of Disruption in Post-Conflict Cinema
Published by
Palgrave Macmillan, London, January 2016
DOI 10.1057/978-1-137-57520-3_6
Book ISBNs
978-1-137-57519-7, 978-1-137-57520-3
Authors

Frank A. Anselmo

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