Table of Contents
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Book Overview
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Chapter 1
Introduction: Film before and after New Media, Anec-notology, and the Philological Uncanny
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Chapter 2
The Medieval and Early Modern Cinematographosphere: De-composing Paratexts, Media Analogues, and the Living Dead Hands of Surrealism, Psychoanalysis, and New Historicism
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Chapter 3
The Passion of El Cid and the Circumfixion of Cinematic History: Stereotypology/Phantomimesis/Cryptomorphoses
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Chapter 4
Cutting and (Re)Running from the (Medieval) Middle East: The Return of the Film Epic and the Uncanny Mise-hors-scènes of Kingdom of Heaven ’s Double DVDs
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Chapter 5
Le détour de Martin Guerre: “Anec-notes” of Historical Film Advisors, Archival Aberrations, and the Uncanny Subject of the Academic Paratext
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Chapter 6
Epilegomenon: Anec-Post-It-Note to Self: Freud, Greenblatt, and the New Historicist Uncanny
Overall attention for this book and its chapters