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Medieval and Early Modern Film and Media

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Cover of 'Medieval and Early Modern Film and Media'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Film before and after New Media, Anec-notology, and the Philological Uncanny
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    Chapter 2 The Medieval and Early Modern Cinematographosphere: De-composing Paratexts, Media Analogues, and the Living Dead Hands of Surrealism, Psychoanalysis, and New Historicism
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    Chapter 3 The Passion of El Cid and the Circumfixion of Cinematic History: Stereotypology/Phantomimesis/Cryptomorphoses
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    Chapter 4 Cutting and (Re)Running from the (Medieval) Middle East: The Return of the Film Epic and the Uncanny Mise-hors-scènes of Kingdom of Heaven ’s Double DVDs
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    Chapter 5 Le détour de Martin Guerre: “Anec-notes” of Historical Film Advisors, Archival Aberrations, and the Uncanny Subject of the Academic Paratext
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    Chapter 6 Epilegomenon: Anec-Post-It-Note to Self: Freud, Greenblatt, and the New Historicist Uncanny
Attention for Chapter 1: Introduction: Film before and after New Media, Anec-notology, and the Philological Uncanny
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Chapter title
Introduction: Film before and after New Media, Anec-notology, and the Philological Uncanny
Chapter number 1
Book title
Medieval and Early Modern Film and Media
Published by
Palgrave Macmillan, New York, January 2008
DOI 10.1007/978-0-230-61456-7_1
Book ISBNs
978-0-230-10560-7, 978-0-230-61456-7
Authors

Richard Burt

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