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Intercultural Aesthetics in Traditional Chinese Theatre

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Cover of 'Intercultural Aesthetics in Traditional Chinese Theatre'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 ‘Egotistic’ Adaptations of King Lear : Intercultural Playwrights Haunted by Tradition
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    Chapter 3 Border-Crossing Chou Actors in Beckettian Jingju
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    Chapter 4 Expressionistic Chuanju : Ghosts and Scenography in Lady Macbeth
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    Chapter 5 Reframing Audience Experiences: Brechtian Estrangement and Metatheatricality Displaced in Xiqu
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    Chapter 6 Conclusion
Attention for Chapter 2: ‘Egotistic’ Adaptations of King Lear : Intercultural Playwrights Haunted by Tradition
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