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The Sociology of Arts and Markets

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Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Patrick Modiano, Between the Fields of Limited Production and Large-Scale Production
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    Chapter 3 A Star Down-to-Earth: On Social Critique in Popular Culture
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    Chapter 4 Art Workers, Inequality, and the Labour Market: Values, Norms, and Alienation Across Three Generations of Artists
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    Chapter 5 Visual Artists’ Professional Situations and Trajectories Between Institutions and the Market
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    Chapter 6 The Art Market: Art’s Incomplete Mirror—Artistic Action’s Guiding Principles and Their Consequences for the Art Market
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    Chapter 7 When Market Promotes Individuality: Arts in Early Modern Japan from the Macrosociological Perspective
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    Chapter 8 The Art Market Facing New Connoisseurship: The Reception of Pieter Brueghel the Younger at Auction
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    Chapter 9 Collective-Artists: Actors on the Margins of the Global Field of Contemporary Art
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    Chapter 10 Hierarchies and Divisions in the Subfield of Gallery Owners: A Research on Art Galleries in Milan
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    Chapter 11 Mapping the Professional Self-Concepts of Gallery Owners: A Typology
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    Chapter 12 The Diffusion of Galleries in China (1991–2016)
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    Chapter 13 Magic Index on the Wall: Who Is the Most Valuable Artist of Them All?
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    Chapter 14 Can Contemporary Art Galleries Be Ranked? A Sociological Attempt from the Paris Case
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    Chapter 15 The Art Fair Boom and Its Contradictions
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    Chapter 16 Art Meets Capitalism: In Praise of Promising Potentialities?
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    Chapter 17 The Art, the Market, and Sociology: Concluding Remarks
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The Sociology of Arts and Markets
Published by
Springer International Publishing, January 2020
DOI 10.1007/978-3-030-39013-6
978-3-03-039012-9, 978-3-03-039013-6

Andrea Glauser, Patricia Holder, Thomas Mazzurana, Olivier Moeschler, Valérie Rolle, Franz Schultheis

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