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The Future of Music

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Cover of 'The Future of Music'

Table of Contents

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    Book Overview
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    Chapter 1 General Introduction
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    Chapter 2 Ontology and Oniontology
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    Chapter 3 The Basic Functions of Music
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    Chapter 4 Historicity in Music
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    Chapter 5 Only One Restriction: Quality
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    Chapter 6 Software Tools and Hardware Options
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    Chapter 7 New Concepts of Musical Instruments
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    Chapter 8 Musical Distribution Channels: New Networks
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    Chapter 9 Big Science in Music
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    Chapter 10 Mathematical Music Theory
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    Chapter 11 Serialism: Failure of New Concepts Without Musical Impact
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    Chapter 12 Mazzola’s Sonata Construction: A Technical Approach and Its Limits
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    Chapter 13 Imaginary Time: Extending Musical Time Concepts to Cognitive Dimensions
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    Chapter 14 Mathematical Gesture Theory
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    Chapter 15 Future Theories (Counterpoint Etc.)
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    Chapter 16 A Critique of the Western Concept of Music
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    Chapter 17 Improvisation and the Synthesis Project on the Presto Software
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    Chapter 18 Art Making as Research
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    Chapter 19 Human and Machine Music
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    Chapter 20 The Role of Music in the Diversifying Cultures (Africa, East Asia, South Asia)
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    Chapter 21 Cultural Theories of Gesture
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    Chapter 22 Recapitulation of Creativity Theory
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    Chapter 23 The Specifically Musical Walls Against Creativity
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    Chapter 24 Examples of Creative Extensions in Music
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    Chapter 25 Performance and Composition
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    Chapter 26 Are Aesthetics and Business Antagonists?
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    Chapter 27 COMMUTE : Towards a Computational Musical Theory of Everything
Attention for Chapter 6: Software Tools and Hardware Options
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Chapter title
Software Tools and Hardware Options
Chapter number 6
Book title
The Future of Music
Published by
Springer, Cham, January 2020
DOI 10.1007/978-3-030-39709-8_6
Book ISBNs
978-3-03-039708-1, 978-3-03-039709-8
Authors

Guerino Mazzola, Jason Noer, Yan Pang, Shuhui Yao, Jay Afrisando, Christopher Rochester, William Neace