XIVModern Literature
Article in The Year's Work in English Studies (November 2022)
The most recent citing publication is shown below. View this citation on Dimensions.
Phenomenology and the Arts: Logos and Aisthesis
Overview of attention for book
Table of Contents
-
Altmetric BadgeBook Overview
-
Altmetric BadgeChapter 1 Introduction: Phenomenological Aesthetics as Logos of the Sensible
-
Altmetric BadgeChapter 2 Aesthetic Attitude and Phenomenological Attitude: From Zhu Guangqian to Husserl
-
Altmetric BadgeChapter 3 A Husserlian Account of the Power of the Imaginary
-
Altmetric BadgeChapter 4 Art and Experience: Reflections on Husserl’s and Heidegger’s Phenomenological Approaches to Art-Works
-
Altmetric BadgeChapter 5 Aisthesis and Logos – One or Two? Two Kindred Poems by Qianlong Di and Goethe
-
Altmetric BadgeChapter 6 Seeing the Invisible: Kandinsky and the Multi-dimensionality of Colors
-
Altmetric BadgeChapter 7 Theatre as a Scene of Otherness
-
Altmetric BadgeChapter 8 The Figuration of Time: Rhythm and Metaphor in Dramatic Language
-
Altmetric BadgeChapter 9 Emptiness and the Spiritual in Architecture
-
Altmetric BadgeChapter 10 Digital Technology, Urban Aesthetics, and Phenomenology
-
Altmetric BadgeChapter 11 Re-presenting Earthscape: Towards a Phenomenology of Aerial Photographic Art
-
Altmetric BadgeChapter 12 How Much Logos Is There in Aisthesis? Aristotle’s Phenomenology of Perception
-
Altmetric BadgeChapter 13 Seeing and Touching: The Optic and the Haptic in Merleau-Ponty’s Thought
-
Altmetric BadgeChapter 14 Toward the Phenomenology of Aesthetic Instinct Developed Through a Dialogue with F. Schiller
Attention for Chapter 2:
Aesthetic Attitude and Phenomenological Attitude: From Zhu Guangqian to Husserl