The Palgrave Handbook of Holocaust Literature and Culture

Table of Contents

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   Book Overview
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   Chapter 1 Introduction: Approaching the Holocaust in the Twenty-First Century
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   Chapter 2 Elie Wiesel’s Quarrel with God
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   Chapter 3 Primo Levi’s Last Lesson: A Reading of The Drowned and the Saved
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   Chapter 4 What We Learn, at Last: Recounting Sexuality in Women’s Deferred Autobiographies and Testimonies
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   Chapter 5 Ghetto in Flames: The Warsaw Ghetto Uprising in Early Postwar Jewish Literature
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   Chapter 6 The Nazi Beast at the Warsaw Zoo: Animal Studies, the Holocaust, The Zookeeper’s Wife, and See Under: Love
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   Chapter 7 When Facts Become Figures: Figurative Dynamics in Youth Holocaust Literature
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   Chapter 9 “I Sometimes Thought I Was Listening to Myself”: Identity-Deliberation After the Holocaust in Chaim Grade’s “My Quarrel with Hersh Rasseyner”
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    Chapter 10 “The Relatedness of the Unrelatable”: The Holocaust as Trope in Caryl Phillips’s The Nature of Blood
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    Chapter 11 The Holocaust in Works by Two Yiddish Writers in Argentina: Simja Sneh and Israel Aszendorf
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    Chapter 13 Transit and Transfer: Between Germany and Israel in the Granddaughters’ Generation
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    Chapter 14 Holocaust Memories and Polish Catholic Identity: Cultural Transmutations of Warsaw Ghetto Uprising
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    Chapter 15 Post-Soviet Migrant Memory of the Holocaust
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    Chapter 16 Vasily Grossman and Anatoly Rybakov: Soviet Sources of Historical Memory of the Holocaust
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    Chapter 17 Refractions of Holocaust Memory in Stanisław Lem’s Science Fiction
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    Chapter 19 “At Last to a Condition of Dignity”: Anthony Hecht’s Holocaust Poetry
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    Chapter 20 Wound Marks in the Air and the Shadows Within: A Poetic Examination of Dan Pagis, Paul Celan, and Nelly Sachs
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    Chapter 21 The Dark Side of Holocaust Era Poetry: Nazi Poetry Promoting Antisemitism and Genocide
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    Chapter 22 Holocaust Drama Imagined and Re-imagined: The Case of Charlotte Delbo’s Who Will Carry the Word?
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    Chapter 23 Wresting Memory as We Wrestle with Holocaust Representation: Reading László Nemes’s Son of Saul
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    Chapter 24 Troubled Aesthetics: Jewish Bodies in Post-Holocaust Film
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    Chapter 25 Screen Memories: Trauma, Repetition, and Survival in Sidney Lumet’s The Pawnbroker
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    Chapter 27 “Master Race”: Graphic Storytelling in the Aftermath of the Holocaust
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    Chapter 28 The Challenges of Translating Art Spiegelman’s Maus
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    Chapter 30 Claustrophobic in the Gaps of Others: Affective Investments from the Queer Margins
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    Chapter 31 Recrafting the Past: Graphic Novels, the Third Generation, and Twenty-First Century Representations of the Holocaust
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    Chapter 32 X-Men at Auschwitz? Superheroes, Nazis, and the Holocaust
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    Chapter 33 An Iconic Image Through the Lens of Ka-tzetnik: The Murder of the Mother and the Essence of Auschwitz
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    Chapter 34 Photographing Survival: Survivor Photographs of, and at, Auschwitz
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    Chapter 36 The Place of Holocaust Survivor Videotestimony: Navigating the Landmarks of First-Person Audio-Visual Representation
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    Chapter 37 Beckett’s Holocaust
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    Chapter 38 The Auschwitz Women’s Camp: An Overview and Reconsideration
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    Chapter 39 Aryan Feminity: Identity in the Third Reich
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    Chapter 40 Reconsidering Jewish Rage After the Holocaust
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    Chapter 41 Holocaust Shoes: Metonymy, Matter, Memory