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'Bad' Women of Bombay Films

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Cover of ''Bad' Women of Bombay Films'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Breaking Bad
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    Chapter 2 Desire, Deviancy and Defiance in Bombay Cinema (1930s–1950s)
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    Chapter 3 “haan, haan mein alaida hoon!” (Yes, Yes I Am Different!): The Disorderly Bibi in Sahib, Bibi aur Ghulam (1962)
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    Chapter 4 The Goddess of Mean Things: The Mother-in-Law in Hindi Films
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    Chapter 5 “ek admi tha, usne shadi karli...” (There Was a Man, Who Got Married...): Female Agency and Domestication in Omkara (2006)
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    Chapter 6 The Politics of Sanitization/Sanskritization: The Court Dancers and Classical Pasts ( Rajnartaki , 1941; Chitralekha , 1964; Amrapali, 1966)
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    Chapter 7 Goddess, Saint and Journeying Soul: Courtesans and Religion in Bombay Cinema (1939–2015)
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    Chapter 8 The Prison-House of Performance: The Figure of the Dancing Girl in Bombay Films of the 1960s
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    Chapter 9 Guns, Gangsters, and “ gandagi ”: The Moll in Hindi Cinema
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    Chapter 10 Sex Workers in Hindi Cinema: Imagos and Realities
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    Chapter 11 The Caged Woman: Female Guilt, Desire and Transgression in Bandini (1963)
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    Chapter 12 “ itni bhhi mahaan main nahi hoon, raja! ” (I’m not that Great, O King): The Angry Young Woman of the 1970s
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    Chapter 13 Outcast[e]/Outlawed: The Bandit Queen (1996)
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    Chapter 14 The Female “ Atankvadi ”: Gender, Militancy and the Politics of Representation in the Late 1990s
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    Chapter 15 Honoured Mother and ‘Honour’ Killing: Ammaji in NH10 (2015)
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    Chapter 16 Of Pallus and Pants: Fabricating the New Woman of the New Nation in Andaz (1949), Mr. and Mrs. 55 (1955), Shri 420 (1955)
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    Chapter 17 Consumer Pleasures and Hindi Cinema’s En-gendered Distribution of Moral Capital in Hum Aapke Hain Koun (1994) and Zindagi Na Milegi Dobara (2011)
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    Chapter 18 Twenty-First-Century Heroines: Modernity in Cocktail (2012), Queen (2014) and Highway (2014)
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    Chapter 19 Curiosity, Consent and Desire in Masaan (2015), Pink (2016), Lipstick Under My Burkha (2016) and Veere Di Wedding (2018)
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    Chapter 20 “ naye naam nit naye roop dhar ” (Don New Names and New Forms Daily): The Figure of the Actress in Popular Hindi Cinema
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    Chapter 21 Playing Anaarkali (2017): Gender, Morality and Erotica
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Mentioned by

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4 news outlets
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2 Wikipedia pages

Citations

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2 Dimensions

Readers on

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2 Mendeley
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Title
'Bad' Women of Bombay Films
Published by
Springer International Publishing, December 2019
DOI 10.1007/978-3-030-26788-9
ISBNs
978-3-03-026787-2, 978-3-03-026788-9
Editors

Sengupta, Saswati, Roy, Shampa, Purkayastha, Sharmila

Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 2 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 2 100%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 1 50%
Student > Bachelor 1 50%
Readers by discipline Count As %
Arts and Humanities 2 100%