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Pseudo-Dionysius and Christian Visual Culture, c.500–900

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Cover of 'Pseudo-Dionysius and Christian Visual Culture, c.500–900'

Table of Contents

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    Book Overview
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    Chapter 1 Reassessing the Historico-Doctrinal Background of Pseudo-Dionysius’ Image Theory
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    Chapter 2 Eikon and Symbolon in the Corpus Dionysiacum: Scriptures and Sacraments as Aesthetic Categories
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    Chapter 3 Pseudo-Dionysius and the Importance of Sensible Things
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    Chapter 4 The Relation of Monks to Clergy in the Dionysian Hierarchy and Its Byzantine Reception
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    Chapter 5 Images of Holy Men in Late Antiquity in Light of Pseudo-Dionysius the Areopagite: Framing Spiritual Ascent and Visualising Spiritual Hierarchy
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    Chapter 6 Pseudo-Dionysius and the Staging of Divine Order in Sixth-Century Architecture
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    Chapter 7 ‘Visual Thinking’ and the Influence of Pseudo-Dionysius the Areopagite in the Homilies and Hymns of Andrew of Crete
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    Chapter 8 Pseudo-Dionysius and the Dormition of the Virgin Platytéra (‘Wider Than the Heavens’)
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    Chapter 9 Pseudo-Dionysius and the Post-Iconoclastic Mosaic Programme of Hagia Sophia
Attention for Chapter 8: Pseudo-Dionysius and the Dormition of the Virgin Platytéra (‘Wider Than the Heavens’)
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