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Shakespeare and the Ethics of Appropriation

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Cover of 'Shakespeare and the Ethics of Appropriation'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Shakespearean Rhizomatics: Adaptation, Ethics, Value
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    Chapter 3 Recognizing Shakespeare, Rethinking Fidelity: A Rhetoric and Ethics of Appropriation
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    Chapter 4 Ethics and the Undead: Reading Shakespearean (Mis)appropriation in Francis Ford Coppola’s Dracula
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    Chapter 5 Adaptation Revoked: Knowledge, Ethics, and Trauma in Jane Smiley’s A Thousand Acres
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    Chapter 6 Double Jeopardy: Shakespeare and Prison Theater
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    Chapter 7 Theater Director as Unelected Representative: Sulayman Al-Bassam’s Arab Shakespeare Trilogy
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    Chapter 8 A “Whirl of Aesthetic Terminology”: Swinburne, Shakespeare, and Ethical Criticism
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    Chapter 9 “Raw-Savage” Othello: The First-Staged Japanese Adaptation of Othello (1903) and Japanese Colonialism
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    Chapter 10 The Bard in Bollywood: The Fraternal Nation and Shakespearean Adaptation in Hindi Cinema
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    Chapter 11 Multilingual Ethics in Henry V and Henry VIII
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    Chapter 12 In Other Words: Global Shakespearean Transformations
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    Chapter 13 Afterword
Attention for Chapter 4: Ethics and the Undead: Reading Shakespearean (Mis)appropriation in Francis Ford Coppola’s Dracula
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Chapter title
Ethics and the Undead: Reading Shakespearean (Mis)appropriation in Francis Ford Coppola’s Dracula
Chapter number 4
Book title
Shakespeare and the Ethics of Appropriation
Published by
Palgrave Macmillan, New York, January 2014
DOI 10.1057/9781137375773_4
Book ISBNs
978-1-349-47744-9, 978-1-137-37577-3
Authors

Adrian Streete

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