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Curating Islamic Art Worldwide

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Cover of 'Curating Islamic Art Worldwide'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Objects, Storytelling, Memory and Living Histories: Curating Islamic Art Empathically in an Era of Trauma and Displacement
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    Chapter 3 Labelling Islam: Structuring Ideas in Islamic Galleries in Europe
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    Chapter 4 Not Malacca but Marege: Islamic Art in Australia (or, ‘What Have the Umayyads Ever Done for Us?’)
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    Chapter 5 From Mosque to Museum: The Museum of Islamic and Near Eastern Cultures, Be’er Sheva, Israel
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    Chapter 6 Display of the Sacred Relics Gallery in the Museum of Turkish and Islamic Art, Istanbul
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    Chapter 7 In Pursuit of Islamic Art in Moscow
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    Chapter 8 Representing the Bangsamoro in an Exhibition of Ethnography at the National Museum of the Philippines
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    Chapter 9 Displaying the Cultures of Islam at the British Museum: The Albukhary Foundation Gallery of the Islamic World
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    Chapter 10 Islamic Art and Saudi Arabia: Reconnecting Communities with Collections
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    Chapter 11 Exploring World Faiths in Museum Collections: The Example of the Chester Beatty Library, Dublin
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    Chapter 12 Curating Islamic Art in the Central United States: New Approaches to Collections, Installations and Audience Engagement
Attention for Chapter 2: Objects, Storytelling, Memory and Living Histories: Curating Islamic Art Empathically in an Era of Trauma and Displacement
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Chapter title
Objects, Storytelling, Memory and Living Histories: Curating Islamic Art Empathically in an Era of Trauma and Displacement
Chapter number 2
Book title
Curating Islamic Art Worldwide
Published by
Palgrave Pivot, Cham, January 2020
DOI 10.1007/978-3-030-28880-8_2
Book ISBNs
978-3-03-028879-2, 978-3-03-028880-8
Authors

Nancy Demerdash-Fatemi

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