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‘If Love Was a Crime, We Would Be Criminals’: The Eurovision Song Contest and the Queer International Politics of Flags https://t.co/ObYsn9lDBh
Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956
Overview of attention for book
Table of Contents
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Altmetric BadgeBook Overview
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Altmetric BadgeChapter 1 Entangled Histories: Identity, Eurovision and European Integration
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Altmetric BadgeChapter 2 Germany as Good European: National Atonement and Performing Europeanness in the Eurovision Song Contest
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Altmetric BadgeChapter 3 ‘Making Your Mind Up’: Britain, Europe and Eurovision-Scepticism
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Altmetric BadgeChapter 4 Which Belgium Won Eurovision? European Unity and Belgian Disunity
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Altmetric BadgeChapter 5 Negotiating Post-war Nationhood: Serbia, Croatia, Bosnia-Herzegovina and the Eurovision Song Contest
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Altmetric BadgeChapter 6 Recognising Kosovo in the World of Televised International Song Contests
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Altmetric BadgeChapter 7 Ruslana, Serduchka, Jamala: National Self-Imaging in Ukraine’s Eurovision Entries
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Altmetric BadgeChapter 8 Nation Branding, Cultural Relations and Cultural Diplomacy at Eurovision: Between Australia and Europe
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Altmetric BadgeChapter 9 ‘If Love Was a Crime, We Would Be Criminals’: The Eurovision Song Contest and the Queer International Politics of Flags
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Altmetric BadgeChapter 10 Europe: Start Voting Now! Democracy, Participation and Diversity in the Eurovision Song Contest
Attention for Chapter 9:
‘If Love Was a Crime, We Would Be Criminals’: The Eurovision Song Contest and the Queer International Politics of Flags