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Of Essence and Context

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Cover of 'Of Essence and Context'

Table of Contents

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    Book Overview
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    Chapter 1 Essence or Context?
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    Chapter 2 Music, Essence and Context
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    Chapter 3 Essence Facilitating Plurality: Theorizing Art with Schelling
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    Chapter 4 Aristotle Meets Schumann: Essence and Geist
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    Chapter 5 Musical Images in the Tanakh: Between Their Essence, Context and Interpretation
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    Chapter 6 Hsi Kang’s Reflection on the Essence of Music: “ Hesheng ”
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    Chapter 7 Deleuze, Ruyer, and Musical Morphogenesis
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    Chapter 8 The Biological Constraints on Musical Structure as the Foundations of Musical Essence
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    Chapter 9 ‘In-Between’ the Autonomous and Contingent Worlds of Music
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    Chapter 10 Formulating the Essence All Together
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    Chapter 11 Mathesis as the Source of Beauty in Music
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    Chapter 12 Some Remarks on Verbal Models in Music
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    Chapter 13 On the Role of Intonation in Music and Communication Practices
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    Chapter 14 In Defense of Authentic Performance: Adjust Your Ears, not the Music
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    Chapter 15 Where Is the Essence of a Musical Work?
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    Chapter 16 Performance as Understanding in Action: Re-thinking the Concept of Musical Experience
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    Chapter 17 What Is a Musical Act? Understanding Improvisation Through Artefact and Performance
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    Chapter 18 The Experience of Music as a Process of [Self] Development
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    Chapter 19 Essence and Context: Exploring the Links Between Music and Philosophy in the Light of Henriette Renié’s Reflections
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    Chapter 20 Redefining Essence: Tuning and Temperament of Chinese Traditional Music
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    Chapter 21 The Final Radicalism of the Avant-Garde and Its Postmodernist Consequences
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    Chapter 22 Essence and Context: Process of Becoming and Dialectical Temporality in Adorno and Nono
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    Chapter 23 The Distance of Presque - rien Between the Musicology and the Philosophy of Music
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    Chapter 24 Mikhail Gnessin on the Essence of Music and Russian Music
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    Chapter 25 Reflections About the Essence of Music in a Special Context: Music Reviews by Yuri Ofrosimov and Ludmila Landau in Berlin in the 1920s
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    Chapter 26 Essence, Context and Meaning in Versions of Wagner’s Wesendonck Lieder by Wagner, Mottl and Henze
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    Chapter 27 Leitfigur Beethoven: Thoughts on the Development of German Musicology in Light of the 1968 Movement
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Title
Of Essence and Context
Published by
Springer International Publishing, July 2019
DOI 10.1007/978-3-030-14471-5
ISBNs
978-3-03-014470-8, 978-3-03-014471-5
Editors

Stanevičiūtė, Rūta, Zangwill, Nick, Povilionienė, Rima

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