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Intersections of Contemporary Art, Anthropology and Art History in South Asia

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Cover of 'Intersections of Contemporary Art, Anthropology and Art History in South Asia'

Table of Contents

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    Book Overview
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    Chapter 1 Intersections and Implications: When Anthropology, Art Practice, and Art History Converge
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    Chapter 2 Mimicking Anthropologists: Re-Membering a Photo Archive via Pata Paintings, Performative Mimesis, and Photo Performance
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    Chapter 3 Reframing the Contexts for Pakistani Contemporary Art
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    Chapter 4 ‘Art’ of Ethnography: Feminist Ethnography and Women Artists in South Asia
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    Chapter 5 Globalisation and Local Anxieties in the Art of Bangladesh: The Interface of History and the Contemporary
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    Chapter 6 Between Anthropology and History: The Entangled Lives of Jangarh Singh Shyam and Jagdish Swaminathan
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    Chapter 7 Toward Blurring the Boundaries in Anthropology: Reading Jamini Roy Today
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    Chapter 8 Imposed, Interrupted and Other Identities: Rupture as Opportunity in the Art History of Pakistan
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    Chapter 9 Transcending and Subverting Boundaries: Understanding the Dynamics of Street Art Scene in Nepal
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    Chapter 10 Ruptures of Rasheed Araeen in the Politics of Visual Art: Toward a New Art Discourse in Pakistan
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    Chapter 11 Collectivism in the Contemporary Sri Lankan Art: The History of an Unusual Case of Artists
Attention for Chapter 1: Intersections and Implications: When Anthropology, Art Practice, and Art History Converge
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