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European Film and Television Co-production

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Cover of 'European Film and Television Co-production'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: European Film and Television Co-production
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    Chapter 2 Statistical Overview: Production, Co-production and Circulation
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    Chapter 3 Official Co-production: Policy Instruments and Imperatives
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    Chapter 4 The European Co-production Treaties: A Short History and a Possible Typology
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    Chapter 5 From Co-productions to ‘Co-distributions’? Re-evaluating Distribution Policies for European Film
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    Chapter 6 European Co-productions in a Digital Single Market: EUtopia or Dystopia?
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    Chapter 7 The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policy
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    Chapter 8 International Co-production of Nordic Television Drama: The Case of Ride Upon the Storm
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    Chapter 9 Breaking through the East-European Ceiling: Minority Co-production and the New Symbolic Economy of Small-Market Cinemas
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    Chapter 10 The Regional Film Fund as Co-production Crusader: The Case of Film i Väst
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    Chapter 11 The Many Enemies of Co-productions in Italy: Moviegoers, Broadcasters, Policy-Makers and Half-Hearted Producers
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    Chapter 12 European Co-productions and Greek Cinema since the Crisis: “Extroversion” as Survival
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    Chapter 13 Exporting the French Co-production Model: Aide aux cinémas du monde and Produire au Sud
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    Chapter 14 ‘Official Co-production in the EU: The Role of Eurimages’—an interview with Roberto Olla
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    Chapter 15 Digital Single Market for Audiovisual Content: Utopia or Win-Win for All?
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    Chapter 16 The Impact of Regional Film Funds on the European Co-production Model
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    Chapter 17 Minority Co-production: Insights from MEDICI
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    Chapter 18 ‘Co-development Initiatives in Europe’—an interview with Isabelle Fauvel
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    Chapter 19 ‘A Matter of Survival: Co-production as a Means of Competing Internationally’—an interview with Anders Kjærhauge
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    Chapter 20 ‘European Television Co-productions’—an interview with Klaus Zimmermann
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    Chapter 21 ‘Co-production Case Study: Ida by Pawel Pawlikowski’—an interview with Ewa Puszczynska and Sofie Wanting Hassing
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    Chapter 22 ‘Unofficially European: Case Study of BAFTA-Winning I am not a Witch ’—an interview with Juliette Grandmont
Overall attention for this book and its chapters
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