European Film and Television Co-production

Chapter 1 Introduction: European Film and Television Co-production

Chapter 2 Statistical Overview: Production, Co-production and Circulation

Chapter 3 Official Co-production: Policy Instruments and Imperatives

Chapter 4 The European Co-production Treaties: A Short History and a Possible Typology

Chapter 5 From Co-productions to ‘Co-distributions’? Re-evaluating Distribution Policies for European Film

Chapter 6 European Co-productions in a Digital Single Market: EUtopia or Dystopia?

Chapter 7 The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policy

Chapter 8 International Co-production of Nordic Television Drama: The Case of Ride Upon the Storm

Chapter 9 Breaking through the East-European Ceiling: Minority Co-production and the New Symbolic Economy of Small-Market Cinemas

Chapter 10 The Regional Film Fund as Co-production Crusader: The Case of Film i Väst

Chapter 12 European Co-productions and Greek Cinema since the Crisis: “Extroversion” as Survival

Chapter 13 Exporting the French Co-production Model: Aide aux cinémas du monde and Produire au Sud

Chapter 14 ‘Official Co-production in the EU: The Role of Eurimages’—an interview with Roberto Olla

Chapter 15 Digital Single Market for Audiovisual Content: Utopia or Win-Win for All?

Chapter 16 The Impact of Regional Film Funds on the European Co-production Model

Chapter 17 Minority Co-production: Insights from MEDICI

Chapter 18 ‘Co-development Initiatives in Europe’—an interview with Isabelle Fauvel

Chapter 19 ‘A Matter of Survival: Co-production as a Means of Competing Internationally’—an interview with Anders Kjærhauge

Chapter 20 ‘European Television Co-productions’—an interview with Klaus Zimmermann

Chapter 21 ‘Co-production Case Study: Ida by Pawel Pawlikowski’—an interview with Ewa Puszczynska and Sofie Wanting Hassing

Chapter 22 ‘Unofficially European: Case Study of BAFTA-Winning I am not a Witch ’—an interview with Juliette Grandmont