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Taiwan Cinema, Memory, and Modernity

Overview of attention for book
Cover of 'Taiwan Cinema, Memory, and Modernity'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 The Visible and the Invisible: Edward Yang’s Taipei Trilogy
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    Chapter 3 The Ruin, Body, and Time-Image in Tsai Ming-liang’s Films: The Wayward Cloud , What Time Is It There , and I Don’t Want to Sleep Alone
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    Chapter 4 Colonial Reminiscence, Japanophilia Trend, and Taiwanese Grassroots Imagination in Cape No. 7
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    Chapter 5 Mourning Love: Queer Performativity and Transformation in Zero Chou’s Spider Lilies and Splendid Float
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    Chapter 6 Aesthetics of Violence and Elegy for the Young: Chang Tso-chi’s Gang Trilogy
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    Chapter 7 Repressed Memories and the Unhomely in Chung Mong-hong’s Children Trilogy
Attention for Chapter 3: The Ruin, Body, and Time-Image in Tsai Ming-liang’s Films: The Wayward Cloud , What Time Is It There , and I Don’t Want to Sleep Alone
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Summary
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Chapter title
The Ruin, Body, and Time-Image in Tsai Ming-liang’s Films: The Wayward Cloud , What Time Is It There , and I Don’t Want to Sleep Alone
Chapter number 3
Book title
Taiwan Cinema, Memory, and Modernity
Published by
Palgrave Macmillan, Singapore, January 2019
DOI 10.1007/978-981-13-3567-9_3
Book ISBNs
978-9-81-133566-2, 978-9-81-133567-9
Authors

Ivy I-chu Chang

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