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From Sounds to Music and Emotions

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Cover of 'From Sounds to Music and Emotions'

Table of Contents

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    Book Overview
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    Chapter 1 The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete Emotional Responses to Music
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    Chapter 2 Emotion in Motion: A Study of Music and Affective Response
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    Chapter 3 Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates
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    Chapter 4 Two-Dimensional Hybrid Spatial Audio Systems with User Variable Controls of Sound Source Attributes
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    Chapter 5 Perceptual Characteristic and Compression Research in 3D Audio Technology
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    Chapter 6 Intuitive Control of Rolling Sound Synthesis
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    Chapter 7 EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data
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    Chapter 8 Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds
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    Chapter 9 Auditory Sketches: Sparse Representations of Sounds Based on Perceptual Models
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    Chapter 10 The Role of Time in Music Emotion Recognition: Modeling Musical Emotions from Time-Varying Music Features
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    Chapter 11 The Intervalgram: An Audio Feature for Large-Scale Cover-Song Recognition
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    Chapter 12 Perceptual Dimensions of Short Audio Clips and Corresponding Timbre Features
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    Chapter 13 Music Emotion Recognition: From Content- to Context-Based Models
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    Chapter 14 Predictive Modeling of Expressed Emotions in Music Using Pairwise Comparisons
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    Chapter 15 Analyzing the Perceptual Salience of Audio Features for Musical Emotion Recognition
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    Chapter 16 Sample Identification in Hip Hop Music
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    Chapter 17 Music Similarity Evaluation Using the Variogram for MFCC Modelling
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    Chapter 18 Automatic String Detection for Bass Guitar and Electric Guitar
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    Chapter 19 Using Oracle Analysis for Decomposition-Based Automatic Music Transcription
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    Chapter 20 The Influence of Music on the Emotional Interpretation of Visual Contexts
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    Chapter 21 The Perception of Auditory-Visual Looming in Film
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    Chapter 22 Maximum a Posteriori Estimation of Piecewise Arcs in Tempo Time-Series
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    Chapter 23 Structural Similarity Based on Time-Span Tree
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    Chapter 24 Subject and Counter-Subject Detection for Analysis of the Well-Tempered Clavier Fugues
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    Chapter 25 Market-Based Control in Interactive Music Environments
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    Chapter 26 (Re)Shaping Musical Gesture: Modelling Voice Balance and Overall Dynamics Contour
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    Chapter 27 Multimodal Analysis of Piano Performances Portraying Different Emotions
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    Chapter 28 Focal Impulses and Expressive Performance
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    Chapter 29 Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control
Attention for Chapter 3: Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates
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Chapter title
Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates
Chapter number 3
Book title
From Sounds to Music and Emotions
Published in
Lecture notes in computer science, June 2012
DOI 10.1007/978-3-642-41248-6_3
Book ISBNs
978-3-64-241247-9, 978-3-64-241248-6

Konstantinos Trochidis, David Sears, Diêu-Ly Trân, Stephen McAdams

Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 47 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
United Kingdom 1 2%
Unknown 46 98%

Demographic breakdown

Readers by professional status Count As %
Student > Master 13 28%
Student > Ph. D. Student 10 21%
Student > Bachelor 4 9%
Researcher 4 9%
Student > Doctoral Student 3 6%
Other 8 17%
Unknown 5 11%
Readers by discipline Count As %
Psychology 12 26%
Arts and Humanities 8 17%
Engineering 7 15%
Computer Science 5 11%
Social Sciences 4 9%
Other 7 15%
Unknown 4 9%