The Performing Subject in the Space of Technology

Chapter 1 General Introduction: In the After-event of the Virtual

Chapter 2 Into the Body of Another: Strange Couplings and Unnatural Alliances of Harlequin Coat

Chapter 3 The Cultural Critique of Bernard Stiegler: Reflecting on the Computational Performances of Klaus Obermaier

Chapter 4 The Flicker at the Threshold of Societies of Control

Chapter 5 The Right to be Forgotten and the Image-Crimes of Digital Culture

Chapter 6 Materiality, Immateriality and the Dancing Body: The Challenge of the Inter in the Preservation of Intangible Cultural Heritage

Chapter 7 Performing (the Subject of) Exteriority: Virtuality, Mimesis and the Gratuitous ‘One Must’

Chapter 8 Not Waving but Drowning: The Affect of Random Programming on the Creation of a Digital Performance Work

Chapter 9 BrainExplode ! Audiences and Agency through the Appropriation of Video-game Structures

Chapter 10 Relational Works-in-Movement Using the Body Response System

Chapter 11 Dancing with Dirt and Wires: Reconciling the Embodied and the Digital in Site-responsive Collaborative Practice

Chapter 12 Jeanette Doyle: Fifteen Days and Factory Direct at the Andy Warhol Museum: The Relationship between the ‘Immaterial’, ‘Dematerial’ and ‘Material’ in Contemporary Art Practice

Chapter 13 Inscribing Work and Process: The Ontological Implications of Virtual Scoring Practices for Dance

Chapter 14 Traces and Artefacts of Physical Intelligence