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The Use of Asian Theatre for Modern Western Theatre

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Cover of 'The Use of Asian Theatre for Modern Western Theatre'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: The Displaced Mirror
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    Chapter 2 International Dramatic Prospecting: Aurélien Lugné-Poe’s Use of Asian Dramas
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    Chapter 3 “In Our Two Selves”: Adolphe Appia and Gordon Craig on Japanese Theatre
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    Chapter 4 “Sea-worthy must put to sea”: W. B. Yeats’s “Nō” and the Japanese Model
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    Chapter 5 “Free Transposition”: The Use of Nō by Jacques Copeau and Suzanne Bing
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    Chapter 6 Theatre of Transposition: Charles Dullin and East Asian Theatre
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    Chapter 7 “IT IS WE WHO ARE SPEAKING”: Antonin Artaud and Balinese Theatre
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    Chapter 8 “Welding the Unweldable”: Vsevolod Meyerhold’s Refraction of Japanese Theatre
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    Chapter 9 How Does the Billy-Goat Produce Milk? Sergei Eisenstein’s Disintegration and Reconstitution of Kabuki Theatre
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    Chapter 10 “The ‘Asiatic’ Model”: The Brechtian Art of Refunctioning of Japanese (Asian) Theatre
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    Chapter 11 Conclusion: A Haunting Legacy
Attention for Chapter 4: “Sea-worthy must put to sea”: W. B. Yeats’s “Nō” and the Japanese Model
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