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Visual Devices in Contemporary Prose Fiction

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Cover of 'Visual Devices in Contemporary Prose Fiction'

Table of Contents

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    Book Overview
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    Chapter 1 An Introduction to Visual Devices in Contemporary Prose Fiction
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    Chapter 2 Reading Textual Gaps
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    Chapter 3 Textual Gestures: Iconic Text and Narrative
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    Chapter 4 Graphic Storytelling and Visual Narrative: Images in Prose Fiction
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    Chapter 5 Case Study 1: Raymond Federman’s Double or Nothing: A Real Fictitious Discourse (1992)
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    Chapter 6 Case Study 2: William H. Gass’s Willie Masters’ Lonesome Wife (1968)
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    Chapter 7 Conclusions
Attention for Chapter 7: Conclusions
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