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Race, Gender, and Sexuality in Post-Apocalyptic TV and Film

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Cover of 'Race, Gender, and Sexuality in Post-Apocalyptic TV and Film'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: After the World Ends, Again
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    Chapter 2 Organisms and Human Bodies as Contagions in the Post-Apocalyptic State
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    Chapter 3 Masculinity, Race, and the (Re?)Imagined American Frontier
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    Chapter 4 Gender in the Aftermath: Starbuck and the Future of Woman in Battlestar Galactica
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    Chapter 5 The Visibility and Invisibility of Class, Race, Gender, and Sexuality in The Hunger Games
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    Chapter 6 Post-Apocalyptic Inequalities: Race, Class, Gender, and Sexualities in Firefly
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    Chapter 7 Queer Resistance in an Imperfect Allegory: The Politics of Sexuality in True Blood
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    Chapter 8 Woman as Evolution: The Feminist Promise of the Resident Evil Film Series
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    Chapter 9 Cops and Zombies: Hierarchy and Social Location in The Walking Dead
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    Chapter 10 “We Don’t Do History”: Constructing Masculinity in a World of Blood
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    Chapter 11 The Apocalypse Is No-Thing To Wish For: Revisioning Traumatic Masculinities in John Hillcoat’s The Road
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    Chapter 12 Propagation and Procreation: The Zombie and the Child
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    Chapter 13 Afterword (Afterward)
Attention for Chapter 11: The Apocalypse Is No-Thing To Wish For: Revisioning Traumatic Masculinities in John Hillcoat’s The Road
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Chapter title
The Apocalypse Is No-Thing To Wish For: Revisioning Traumatic Masculinities in John Hillcoat’s The Road
Chapter number 11
Book title
Race, Gender, and Sexuality in Post-Apocalyptic TV and Film
Published by
Palgrave Macmillan US, January 2015
DOI 10.1007/978-1-137-49331-6_11
Book ISBNs
978-1-349-57041-6, 978-1-137-49331-6, 978-1-137-50150-9
Authors

Brent Strang

Editors

Barbara Gurr

View on publisher site

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