Cultural Studies: The Basics
Monograph (January 2011)
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Negation, Critical Theory, and Postmodern Textuality
Overview of attention for book
Table of Contents
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Altmetric BadgeBook Overview
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Altmetric BadgeChapter 1 Introduction: Negation, Critical Theory, and Postmodern Textuality
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Altmetric BadgeChapter 2 Deconstruction and Negative Meaning in Medieval Mysticism
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Altmetric BadgeChapter 3 “In No Recognizable Way” The Tempest
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Altmetric BadgeChapter 4 “My Real Smash”: Elenctic Negation in Henry James’s The Ambassadors
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Altmetric BadgeChapter 5 “Where Dream used to Collide with its Reality”: The Apocalyptic Space of Negation in García Lorca’s Poet in New York
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Altmetric BadgeChapter 6 Nothing Doing: The Repudiation of Action in Beckett’s More Pricks Than Kicks
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Altmetric BadgeChapter 7 The Shadow Life: Negation, Nihilism, and Insanity in Thomas Bernhard’s Correction
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Altmetric BadgeChapter 8 Beyond Negation: Paradoxical Affirmation in Whitman’s Third Edition
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Altmetric BadgeChapter 9 Forster’s Ghosts: A Passage to India and the Emptying of Narrative
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Altmetric BadgeChapter 10 Putting on the Feminine: Gender and Negativity in Frankenstein and the Handmaid’s Tale
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Altmetric BadgeChapter 11 Negation and the Evil Eye: A Reading of Camera Lucida
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Altmetric BadgeChapter 12 “Theres More Nothing to Say”: Unspeaking Douglas Barbour’s “Story for a Saskatchewan Night”
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Altmetric BadgeChapter 13 Monstrosity, Illegibility, Denegation: de Man, Nichol, and the Resistance to Postmodernism
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Altmetric BadgeChapter 14 Derrida and Dōgen: Denegation and the Liberation of Discriminating Thought
Attention for Chapter 12:
“Theres More Nothing to Say”: Unspeaking Douglas Barbour’s “Story for a Saskatchewan Night”
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Citations
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