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Cognitive Theory and Documentary Film

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Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Intersecting Cognitive Theory and Documentary Film
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    Chapter 2 A Documentary of the Mind: Self, Cognition and Imagination in Anders Østergaard’s Films
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    Chapter 3 Little Voices and Big Spaces: Animated Documentary and Conceptual Blending Theory
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    Chapter 4 Documentary Spectatorship and the Navigation of “Difficulty”
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    Chapter 5 Docudrama and the Cognitive Evaluation of Realism
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    Chapter 6 The Duties of Documentary in a Post-Truth Society
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    Chapter 7 Characterization and Character Engagement in the Documentary
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    Chapter 8 The Difficulty of Eliciting Empathy in Documentary
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    Chapter 9 Fake Pictures, Real Emotions: A Case Study of Art and Craft
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    Chapter 10 Engaging Animals in Wildlife Documentaries: From Anthropomorphism to Trans-species Empathy
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    Chapter 11 Collateral Emotions: Political Web Videos and Divergent Audience Responses
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    Chapter 12 Slow TV: The Experiential and Multisensory Documentary
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    Chapter 13 Toward a Cognitive Definition of First-Person Documentary
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    Chapter 14 The Communication of Relational Knowledge in the First-Person Documentary
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    Chapter 15 A Social Cognition Approach to Stereotyping in Documentary Practice
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    Chapter 16 A Cognitive Approach to Producing the Documentary Interview
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    Chapter 17 Documentary Editing and Distributed Cognition
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