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Rethinking Genre in Contemporary Global Cinema

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Cover of 'Rethinking Genre in Contemporary Global Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Genres in Transition
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    Chapter 2 Black, White, and Transnational: An Analysis of the Rise, Fall, and Potential Rebirth of the Contemporary Urban Dance Musical in Anglophone Western Cinemas
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    Chapter 3 Tales of Loss, Betrayal, and Regain: Irishness and Ethnic Identity in Contemporary Irish-Themed American Gangster Films
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    Chapter 4 Neurotic and Going Nowhere: Comedy and the Contemporary Jewish American Male
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    Chapter 5 Modern Bromance, Mikhail Bakhtin, and the Dialogics of Alterity
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    Chapter 6 The En-Genrement of the Nation: The Spanish Civil War Film and Guillermo del Toro’s Fantasies
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    Chapter 7 Commedia all’ italiana American Style: Assessing the Recent Remakes of Classic Comedy Italian Style
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    Chapter 8 The Wuxia Films of Zhang Yimou: A Genre in Transit
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    Chapter 9 The “Smart” Teen Film 1990–2005: Identity Crisis, Nostalgia, and the Teenage Viewpoint
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    Chapter 10 Constructing the Televideofilm: Corporatization, Genrefication, and the Blurring Boundaries of Nigerian Media
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    Chapter 11 From Nordic Gloom to Nordic Cool: Producing Genre Film for the Global Markets
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    Chapter 12 A Bollywood Commercial for Ireland: Filming Ek Tha Tiger in Dublin
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    Chapter 13 Kant’s Sublime and the Disaster Film After 9/11
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    Chapter 14 Two Chronotopes of the Terrorist Genre
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    Chapter 15 Between Torture Porn and Zombie Apocalypse: Horror and Utopia in British-Themed Biopolitical Films After 9/11
Attention for Chapter 13: Kant’s Sublime and the Disaster Film After 9/11
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Chapter title
Kant’s Sublime and the Disaster Film After 9/11
Chapter number 13
Book title
Rethinking Genre in Contemporary Global Cinema
Published by
Palgrave Macmillan, Cham, August 2018
DOI 10.1007/978-3-319-90134-3_13
Book ISBNs
978-3-31-990133-6, 978-3-31-990134-3
Authors

Barry Monahan