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The Topos of Music I: Theory

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Cover of 'The Topos of Music I: Theory'

Table of Contents

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    Book Overview
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    Chapter 1 What Is Music About?
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    Chapter 2 Topography
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    Chapter 3 Musical Ontology
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    Chapter 4 Models and Experiments in Musicology
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    Chapter 5 Navigation
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    Chapter 6 Denotators
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    Chapter 7 Local Compositions
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    Chapter 8 Symmetries and Morphisms
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    Chapter 9 Yoneda Perspectives
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    Chapter 10 Paradigmatic Classification
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    Chapter 11 Orbits
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    Chapter 12 Topological Specialization
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    Chapter 13 Global Compositions
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    Chapter 14 Global Perspectives
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    Chapter 15 Global Classification
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    Chapter 16 Classifying Interpretations
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    Chapter 17 Esthetics and Classification
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    Chapter 18 Predicates
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    Chapter 19 Topoi of Music
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    Chapter 20 Visualization Principles
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    Chapter 21 Metrics and Rhythmics
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    Chapter 22 Motif Gestalts
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    Chapter 23 Critical Preliminaries
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    Chapter 24 Harmonic Topology
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    Chapter 25 Harmonic Semantics
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    Chapter 26 Cadence
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    Chapter 27 Modulation
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    Chapter 28 Applications
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    Chapter 29 Melodic Variation by Arrows
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    Chapter 30 Interval Dichotomies as an Expression of Contrast
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    Chapter 31 Modeling Counterpoint by Local Symmetries
Attention for Chapter 7: Local Compositions
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Chapter title
Local Compositions
Chapter number 7
Book title
The Topos of Music I: Theory
Published by
Springer, Cham, January 2017
DOI 10.1007/978-3-319-64364-9_7
Book ISBNs
978-3-31-964363-2, 978-3-31-964364-9
Authors

Guerino Mazzola

Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 1 Mendeley reader of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 1 100%

Demographic breakdown

Readers by professional status Count As %
Student > Doctoral Student 1 100%
Readers by discipline Count As %
Economics, Econometrics and Finance 1 100%