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Film in the Anthropocene

Overview of attention for book
Cover of 'Film in the Anthropocene'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Stepping into the Play Frame—Cinema as Mammalian Communication
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    Chapter 2 Janus’s Celluloid and Digital Faces: The Existential Cyborg—Autopoiēsis in Christopher Nolan’s Memento
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    Chapter 3 Documentary Intertext: Robert Gardner’s Dead Birds 1964
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    Chapter 4 Cinema’s Historical Incarnations: Traveling the Möbius Strip of Biotime in Cloud Atlas
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    Chapter 5 Documentary Intertext: John Marshall, The Hunters 1957
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    Chapter 6 Janus East and West: Multicultural Polyvocality—Trinh Minh-ha’s The Fourth Dimension and The Digital Film Event
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    Chapter 7 Documentary Intertext: Trance and Dance in Bali 1951
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    Chapter 8 Janus’s Interspecies Faces: Biomorphic Transformations in the Ecology of Mind in James Cameron’s Avatar
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    Chapter 9 Documentary Intertext: André Singer’s and J. Stephen Lansing’s The Goddess and the Computer 1988
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    Chapter 10 Conclusion: Toward a Transdisciplinary Critical Theory of Film
Attention for Chapter 8: Janus’s Interspecies Faces: Biomorphic Transformations in the Ecology of Mind in James Cameron’s Avatar
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