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Twenty-First-Century British Fiction and the City

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Cover of 'Twenty-First-Century British Fiction and the City'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Twenty-First-Century British Fiction and the City
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    Chapter 2 “Why Should You Go Out?”: Encountering the City in Monica Ali’s Brick Lane
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    Chapter 3 The Cosmopolitan Potential of Urban England?: Jon McGregor’s If Nobody Speaks of Remarkable Things
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    Chapter 4 “We Exist Only in the Reflection of Others”: Imagining London’s History in Bernardine Evaristo’s The Emperor’s Babe
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    Chapter 5 Gated Communities and Dystopia in J.G. Ballard’s Super-Cannes
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    Chapter 6 Celetoids and the City: Tabloidization of the Working Class in Zadie Smith’s White Teeth and Martin Amis’ Lionel Asbo: State of England
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    Chapter 7 Belonging and Un-belonging in London: Representations of Home in Diana Evans’ 26a
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    Chapter 8 Between Urban Ecology and Social Construction: Environment and the Ethics of Representation in Zadie Smith’s NW
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    Chapter 9 The Queer Gothic Spaces of Contemporary Glasgow: Louise Welsh’s The Cutting Room
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    Chapter 10 Convulsions of the Local: Contemporary British Psychogeographical Fiction
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    Chapter 11 Trauma, Negativities, and the City in Trezza Azzopardi’s Remember Me
Attention for Chapter 6: Celetoids and the City: Tabloidization of the Working Class in Zadie Smith’s White Teeth and Martin Amis’ Lionel Asbo: State of England
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