Gender and Ventriloquism in Victorian and Neo-Victorian Fiction

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Gender and Ventriloquism in Victorian and Neo-Victorian Fiction

Palgrave Macmillan UK

Table of Contents

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Book Overview
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Chapter 1 Introduction: The Victorians for Dummies? Talking Back to the Nineteenth Century
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Chapter 2 Voices from the Past: Rethinking the Ventriloquial Metaphor
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Chapter 3 Victorian Ventriloquists: Henry James and George Du Maurier
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Chapter 4 Sirens and Svengalis: Nights at the Circus, Alias Grace and Clara
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Chapter 5 Queering the Dummy/ Ventriloquist Dichotomy: Oscar Wilde and Ventriloquial Influence
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Chapter 6 Sexual Re-scripting: Ventriloquial Repetitions and Transformations in Sarah Waters’ Tipping the Velvet and Affinity
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Chapter 7 Talking to Ourselves? Ventriloquial Criticism and Readership in Neo-Victorian Fiction
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Chapter 8 Afterword: Voices Beyond the Victorian Era? Wesley Stace and Ventriloquism

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Chapter title	Talking to Ourselves? Ventriloquial Criticism and Readership in Neo-Victorian Fiction
Chapter number	7
Book title	Gender and Ventriloquism in Victorian and Neo-Victorian Fiction
Published by	Palgrave Macmillan, London, January 2012
DOI	10.1057/9781137271167_7
Book ISBNs	978-1-349-34477-2, 978-1-137-27116-7
Authors	Helen Davies

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