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Gender and Ventriloquism in Victorian and Neo-Victorian Fiction

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Cover of 'Gender and Ventriloquism in Victorian and Neo-Victorian Fiction'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: The Victorians for Dummies? Talking Back to the Nineteenth Century
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    Chapter 2 Voices from the Past: Rethinking the Ventriloquial Metaphor
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    Chapter 3 Victorian Ventriloquists: Henry James and George Du Maurier
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    Chapter 4 Sirens and Svengalis: Nights at the Circus, Alias Grace and Clara
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    Chapter 5 Queering the Dummy/ Ventriloquist Dichotomy: Oscar Wilde and Ventriloquial Influence
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    Chapter 6 Sexual Re-scripting: Ventriloquial Repetitions and Transformations in Sarah Waters’ Tipping the Velvet and Affinity
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    Chapter 7 Talking to Ourselves? Ventriloquial Criticism and Readership in Neo-Victorian Fiction
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    Chapter 8 Afterword: Voices Beyond the Victorian Era? Wesley Stace and Ventriloquism
Attention for Chapter 5: Queering the Dummy/ Ventriloquist Dichotomy: Oscar Wilde and Ventriloquial Influence
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Chapter title
Queering the Dummy/ Ventriloquist Dichotomy: Oscar Wilde and Ventriloquial Influence
Chapter number 5
Book title
Gender and Ventriloquism in Victorian and Neo-Victorian Fiction
Published by
Palgrave Macmillan, London, January 2012
DOI 10.1057/9781137271167_5
Book ISBNs
978-1-349-34477-2, 978-1-137-27116-7
Authors

Helen Davies

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