Table of Contents

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   Book Overview
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   Chapter 1 Local and Global Performance Transformations
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   Chapter 2 Performance Fields
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   Chapter 3 Initial Sets and Initial Performances
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   Chapter 4 Hierarchies and Performance Scores
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   Chapter 5 Taxonomy of Expressive Performance
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   Chapter 6 Performance Grammars
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   Chapter 7 Stemma Theory
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   Chapter 8 Operator Theory
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    Chapter 9 Architecture
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    Chapter 10 The RUBETTE® Family
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    Chapter 11 Performance Experiments
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    Chapter 12 Analysis of Analysis
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    Chapter 13 Differential Operators and Regression
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    Chapter 14 Relating Tempo to Metric, Melodic and Harmonic Analyses in Chopin’s Prélude op. 28, No. 4
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    Chapter 15 Principles of Music Critique
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    Chapter 16 Critical Fibers
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    Chapter 17 Unfolding Geometry and Logic in Time
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    Chapter 18 Local and Global Strategies in Composition
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    Chapter 19 The Paradigmatic Discourse on presto®
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    Chapter 20 Case Study I: “Synthesis” by Guerino Mazzola
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    Chapter 21 Object-Oriented Programming in OpenMusic
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    Chapter 22 Historical and Theoretical Prerequisites
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    Chapter 23 Estimation of Resolution Parameters
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    Chapter 24 The Case of Counterpoint and Harmony