ComMute—Towards a Computational Musical Theory of Everything
Book chapter in Lecture Notes in Computer Science (May 2019)
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The Topos of Music II: Performance
Overview of attention for book
Table of Contents
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Altmetric BadgeBook Overview
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Altmetric BadgeChapter 1 Local and Global Performance Transformations
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Altmetric BadgeChapter 2 Performance Fields
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Altmetric BadgeChapter 3 Initial Sets and Initial Performances
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Altmetric BadgeChapter 4 Hierarchies and Performance Scores
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Altmetric BadgeChapter 5 Taxonomy of Expressive Performance
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Altmetric BadgeChapter 6 Performance Grammars
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Altmetric BadgeChapter 7 Stemma Theory
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Altmetric BadgeChapter 8 Operator Theory
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Altmetric BadgeChapter 9 Architecture
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Altmetric BadgeChapter 10 The RUBETTE® Family
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Altmetric BadgeChapter 11 Performance Experiments
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Altmetric BadgeChapter 12 Analysis of Analysis
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Altmetric BadgeChapter 13 Differential Operators and Regression
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Altmetric BadgeChapter 14 Relating Tempo to Metric, Melodic and Harmonic Analyses in Chopin’s Prélude op. 28, No. 4
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Altmetric BadgeChapter 15 Principles of Music Critique
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Altmetric BadgeChapter 16 Critical Fibers
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Altmetric BadgeChapter 17 Unfolding Geometry and Logic in Time
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Altmetric BadgeChapter 18 Local and Global Strategies in Composition
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Altmetric BadgeChapter 19 The Paradigmatic Discourse on presto®
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Altmetric BadgeChapter 20 Case Study I: “Synthesis” by Guerino Mazzola
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Altmetric BadgeChapter 21 Object-Oriented Programming in OpenMusic
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Altmetric BadgeChapter 22 Historical and Theoretical Prerequisites
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Altmetric BadgeChapter 23 Estimation of Resolution Parameters
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Altmetric BadgeChapter 24 The Case of Counterpoint and Harmony
Attention for Chapter 14:
Relating Tempo to Metric, Melodic and Harmonic Analyses in Chopin’s Prélude op. 28, No. 4
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Citations
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