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Representing Rape in Medieval and Early Modern Literature

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Cover of 'Representing Rape in Medieval and Early Modern Literature'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Reading Chaucer Reading Rape
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    Chapter 3 Rape and Silence: Ovid’s Mythography and Medieval Readers
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    Chapter 4 The Violence of Courtly Exegesis in Sir Gawain and the Green Knight
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    Chapter 5 Raping Men: What’s Motherhood Got to Do With It?
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    Chapter 6 The Daughter’s Text and the Thread of Lineage in the Old French Philomena
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    Chapter 7 “O, Keep Me From Their Worse Than Killing Lust”: Ideologies of Rape and Mutilation in Chaucer’s Physician’s Tale and Shakespeare’s Titus Andronicus
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    Chapter 8 Rape and the Appropriation of Progne’s Revenge in Shakespeare’s Titus Andronicus , Or “Who Cooks the Thyestean Banquet?”
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    Chapter 9 Rape in the Medieval Latin Comedies
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    Chapter 10 Chaucer and Rape: Uncertainty’s Certainties
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    Chapter 11 Public Bodies and Psychic Domains: Rape, Consent, and Female Subjectivity in Geoffrey Chaucer’s Troilus and Criseyde
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    Chapter 12 “Rapt from Himself”: Rape and the Poetics of Corporeality in Sidney’s Old Arcadia
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    Chapter 13 Of Chastity and Rape: Edmund Spenser Confronts Elizabeth I in The Faerie Queene
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    Chapter 14 Spenser’s Ravishment: Rape and Rapture in The Faerie Queene
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    Chapter 15 Afterword
Attention for Chapter 12: “Rapt from Himself”: Rape and the Poetics of Corporeality in Sidney’s Old Arcadia
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Chapter title
“Rapt from Himself”: Rape and the Poetics of Corporeality in Sidney’s Old Arcadia
Chapter number 12
Book title
Representing Rape in Medieval and Early Modern Literature
Published by
Palgrave Macmillan, New York, January 2001
DOI 10.1007/978-1-137-10448-9_12
Book ISBNs
978-1-349-63116-2, 978-1-137-10448-9
Authors

Amy Greenstadt

View on publisher site

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