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Contesting British Chinese Culture

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Cover of 'Contesting British Chinese Culture'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Contesting British Chinese Culture
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    Chapter 2 The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts
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    Chapter 3 One Step Forward, Two Steps Back: Dancing in the Margins/on the Border of Oblivion
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    Chapter 4 “A History Written by Our Bodies”: Artistic Activism and the Agonistic Chinese Voice of Mad For Real’s Performances at the End of the Twentieth Century
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    Chapter 5 Testing, Contesting
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    Chapter 6 Manchester’s Chinese Arts Centre: A Case Study in Strategic Cultural Intervention
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    Chapter 7 From South China to South London: A Journey in Search of Home Through Fine Art Practice
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    Chapter 8 The Artist-Photographer and Performances of Identity: The Camera as Catalyst
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    Chapter 9 British Chinese Cinema and the Struggle for Recognition, Even on the Margins
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    Chapter 10 Cinema of Displaced Identity
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    Chapter 11 The Arts Britain Utterly Ignored: Or, Arts Council Revenue Funding and State Intervention in British East Asian Theatre in the Late 1990s and Early 2000s
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    Chapter 12 FACE: Autobiographical Theatre and Cross-Cultural Considerations
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    Chapter 13 British Chinese Performance in Minor Transnational Perspective
Attention for Chapter 3: One Step Forward, Two Steps Back: Dancing in the Margins/on the Border of Oblivion
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Chapter title
One Step Forward, Two Steps Back: Dancing in the Margins/on the Border of Oblivion
Chapter number 3
Book title
Contesting British Chinese Culture
Published by
Palgrave Macmillan, Cham, September 2018
DOI 10.1007/978-3-319-71159-1_3
Book ISBNs
978-3-31-971158-4, 978-3-31-971159-1
Authors

Erika Tan

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