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Popular Music in Eastern Europe

Overview of attention for book
Cover of 'Popular Music in Eastern Europe'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Propagated, Permitted or Prohibited? State Strategies to Control Musical Entertainment in the First Two Decades of Socialist Hungary
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    Chapter 3 Pop-Rock and Propaganda During the Ceaușescu Regime in Communist Romania
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    Chapter 4 Estonian Invasion as Western Ersatz-pop
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    Chapter 5 The Eagle Rocks: Isolation and Cosmopolitanism in Albania’s Pop-Rock Scene
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    Chapter 6 Censorship, Dissent and the Metaphorical Language of GDR Rock
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    Chapter 7 Folk Music as a Folk Enemy: Music Censorship in Socialist Yugoslavia
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    Chapter 8 ‘The Second Golden Age’: Popular Music Journalism during the Late Socialist Era of Hungary
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    Chapter 9 Youth Under Construction: The Generational Shifts in Popular Music Journalism in the Poland of the 1980s
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    Chapter 10 The Birth of Socialist Disc Jockey: Between Music Guru, DIY Ethos and Market Socialism
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    Chapter 11 Karel Gott: The Ultimate Star of Czechoslovak Pop Music
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    Chapter 12 Czesław Niemen: Between Enigma and Political Pragmatism
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    Chapter 13 Omega: Red Star from Hungary
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    Chapter 14 Perverse Imperialism: Republika’s Phenomenon in the 1980s
Attention for Chapter 11: Karel Gott: The Ultimate Star of Czechoslovak Pop Music
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