Chapter 1 Introduction: Staring at the Forbidden: Legitimizing Voyeurism

Chapter 2 Always Looking Back at the Voyeur: Jan Fabre’s Extreme Acts on Stage

Chapter 3 The Dramaturgies of the Gaze: Strategies of Vision and Optical Revelations in the Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio

Chapter 4 Intimacy, Immersion and the Desire to Touch: The Voyeur Within

Chapter 5 In Between the Visible and the Hidden: Modalities of Seeing in Site-Specific Performance

Chapter 6 The Pleasure of Looking Behind Curtains: Naked Bodies from Titian to Fabre and LeRoy

Chapter 7 Baring All on Stage: Active Encounters with Voyeurism, Performance Aesthetics and ‘Absorbed Acts of Seeing’

Chapter 9 Viewing the Pornographic Theatre: Explicit Voyeurism, Artaud and Ann Liv Young’s Cinderella

Chapter 10 ‘Music for the Eyes’ in Hair : Tracing the History of the Naked Singing Body on Stage

Chapter 11 Outlying Islands as Theatre of Voyeurism: Ornithologists, Naked Bodies and the ‘Pleasure of Peeping’