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Iris Murdoch: Texts and Contexts

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Cover of 'Iris Murdoch: Texts and Contexts'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Iris Murdoch: A Case of Star-Friendship
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    Chapter 3 The Visionary Aspects of Iris Murdoch’s Philosophy
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    Chapter 4 Iris Murdoch and the Two Cultures: Science, Philosophy and the Novel
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    Chapter 5 Iris Murdoch, Ian McEwan and the Place of the Political in Contemporary Fiction
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    Chapter 6 Murdoch and Derrida: Holding Hands under the Table
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    Chapter 7 Murdoch, Derrida and The Black Prince
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    Chapter 8 Minding the Gap: Mourning in the Work of Murdoch and Derrida
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    Chapter 9 Iris Murdoch and Theodor Reik: Sado-Masochism in The Black Prince
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    Chapter 10 Iris Murdoch and Elias Canetti: Towards a Reassessment
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    Chapter 11 The ‘wondrous necessary man’: Canetti, The Unicorn and The Changeling
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    Chapter 12 A Post-Christian Concept of Martyrdom and the Murdochian Chorus: The One Alone and T.S. Eliot’s Murder in the Cathedral
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    Chapter 13 Language, Memory and Loss: Kristevan Psychoanalytical Perspectives on Intertextual Connections in the Work of Murdoch and Banville
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    Chapter 14 The Influence of Childhood Reading on the Fiction of Iris Murdoch
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    Chapter 15 Murdoch on Film: ‘Re-Seeing Reality’ in Richard Eyre’s Iris (2001)
Attention for Chapter 9: Iris Murdoch and Theodor Reik: Sado-Masochism in The Black Prince
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Chapter title
Iris Murdoch and Theodor Reik: Sado-Masochism in The Black Prince
Chapter number 9
Book title
Iris Murdoch: Texts and Contexts
Published by
Palgrave Macmillan, London, January 2012
DOI 10.1057/9781137271365_9
Book ISBNs
978-1-349-34551-9, 978-1-137-27136-5
Authors

Mark Luprecht, Luprecht, Mark

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