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Cross-Cultural Visions in African American Literature

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Cover of 'Cross-Cultural Visions in African American Literature'

Table of Contents

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    Book Overview
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    Chapter 1 Richard Wright’s Haiku, Zen, and the African “Primal Outlook upon Life”
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    Chapter 2 Richard Wright’s Haiku, Japanese Poetics, and Classical Chinese Poetry
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    Chapter 3 Wordsworthian Nature Poetry, Ashanti Culture, and Richard Wright’s Haiku: This Other World
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    Chapter 4 Cross-Cultural Poetics: Sonia Sanchez’s Like the Singing Coming Off the Drums
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    Chapter 5 Jean Toomer Revisited in James Emanuel’s Postmodernist Jazz Haiku
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    Chapter 6 The Western and Eastern Thoughts of Ralph Ellison’s Invisible Man
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    Chapter 7 West, East, Africa: Richard Wright’s Native Son and Classic Movie Monsters
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    Chapter 8 Ishmael Reed’s Mumbo Jumbo through Confucianism
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    Chapter 9 “A Beautiful Black Butterfly”: Eastern Aesthetics and Postmodernism in Ishmael Reed’S Japanese by Spring
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    Chapter 10 “All Narratives Are Lies, Man, an Illusion”: Buddhism and Postmodernism Versus Racism in Charles Johnson’S Middle Passage and Dreamer
Attention for Chapter 4: Cross-Cultural Poetics: Sonia Sanchez’s Like the Singing Coming Off the Drums
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Chapter title
Cross-Cultural Poetics: Sonia Sanchez’s Like the Singing Coming Off the Drums
Chapter number 4
Book title
Cross-Cultural Visions in African American Literature
Published by
Palgrave Macmillan, New York, January 2011
DOI 10.1057/9780230119123_4
Book ISBNs
978-1-349-29524-1, 978-0-230-11912-3
Authors

Yoshinobu Hakutani, Hakutani, Yoshinobu

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