Cinema and the Swastika

Chapter 1 Europe’s New Hollywood? The German Film Industry Under Nazi Rule, 1933–45

Chapter 2 ‘European Cinema for Europe!’ The International Film Chamber, 1935–42

Chapter 3 German Attempts to Penetrate the Spanish-speaking Film Markets, 1936–42

Chapter 4 Between Resistance and Collaboration: Austrian Cinema and Nazism Before and During the Annexation, 1933–45

Chapter 5 German Influence on Belgian Cinema, 1933–45: From Low-profile Presence to Downright Colonisation

Chapter 6 Nazi Film Politics in Brazil, 1933–42

Chapter 7 The Influence of German Cinema on Newly Established Croatian Cinematography, 1941–45

Chapter 8 A Dangerous Neighbourhood: German Cinema in the Czechoslovak Region, 1933–45

Chapter 9 The Attempted Nazification of French Cinema, 1934–44

Chapter 10 Cinema Goes to War: The German Film Policy in Greece During the Occupation, 1941–44

Chapter 11 Competitor or Compatriot? Hungarian Film in the Shadow of the Swastika, 1933–44

Chapter 12 A War within the War: Italy, Film, Propaganda and the Quest for Cultural Hegemony in Europe (1933–43)

Chapter 13 Celluloid Competition: German-Japanese Film Relations, 1929–45

Chapter 14 From Dawn to Young Eagles: The (Failed) Attempt of Germanisation and Nazification of Luxembourg through Cinema, 1933–44

Chapter 15 Dutch-German Film Relations under German Pressure and Nazi Occupation, 1933–45

Chapter 16 From Will to Reality — Norwegian Film during the Nazi Occupation, 1940–45

Chapter 17 Brown-red Shadows: The Influence of Third Reich and Soviet Cinema on Afrikaans Film, 1927–48

Chapter 18 Film and Politics in South-east Europe: Germany as ‘Leading Cultural Nation’, 1933–45

Chapter 19 German Films on the Spanish Market Before, During and After the Civil War, 1933–45

Chapter 20 Swedish Film and Germany, 1933–45

Chapter 21 Film Propaganda and the Balance between Neutrality and Alignment: Nazi Films in Switzerland, 1933–45

Chapter 22 ‘A Thin Stream Issuing through Closed Lock Gates’: German Cinema and the United Kingdom, 1933–45

Chapter 23 German Films in America, 1933–45: Public Diplomacy and an Uncoordinated Information Campaign

Chapter 24 German Film Politics in the Occupied Eastern Territories, 1941–45