Chapter 1 Introduction: Fans and Paratexts

Chapter 2 “We Put the Media in (Anti)social Media”: Channel 4’s Youth Audiences, Unofficial Archives and the Promotion of Second-Screen Viewing

Chapter 3 Television Fandom in the Age of Narrowcasting: The Politics of Proximity in Regional Scripted Reality Dramas The Only Way Is Essex and Made in Chelsea

Chapter 4 “A Reason to Live”: Utopia and Social Change in Star Trek Fan Letters

Chapter 5 Victims and Villains: Psychological Themes, Male Stars and Horror Films in the 1940s

Chapter 6 “I Want to Do Bad Things with You”: The Television Horror Title Sequence

Chapter 7 Cannibal Holocaust : The Paratextual (Re)construction of History

Chapter 8 From Angel to Much Ado : Cross-Textual Catharsis, Kinesthetic Empathy and Whedonverse Fandom

Chapter 9 Location, Location, Location: Citizen-Fan Journalists’ “Set Reporting” and Info-War in the Digital Age

Chapter 10 Sherlock Holmes, the De Facto Franchise

Chapter 12 Afterword: Studying Media with and without Paratexts