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Popular Media Cultures

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Cover of 'Popular Media Cultures'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Fans and Paratexts
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    Chapter 2 “We Put the Media in (Anti)social Media”: Channel 4’s Youth Audiences, Unofficial Archives and the Promotion of Second-Screen Viewing
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    Chapter 3 Television Fandom in the Age of Narrowcasting: The Politics of Proximity in Regional Scripted Reality Dramas The Only Way Is Essex and Made in Chelsea
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    Chapter 4 “A Reason to Live”: Utopia and Social Change in Star Trek Fan Letters
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    Chapter 5 Victims and Villains: Psychological Themes, Male Stars and Horror Films in the 1940s
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    Chapter 6 “I Want to Do Bad Things with You”: The Television Horror Title Sequence
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    Chapter 7 Cannibal Holocaust : The Paratextual (Re)construction of History
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    Chapter 8 From Angel to Much Ado : Cross-Textual Catharsis, Kinesthetic Empathy and Whedonverse Fandom
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    Chapter 9 Location, Location, Location: Citizen-Fan Journalists’ “Set Reporting” and Info-War in the Digital Age
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    Chapter 10 Sherlock Holmes, the De Facto Franchise
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    Chapter 11 “Cultural Acupuncture”: Fan Activism and the Harry Potter Alliance
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    Chapter 12 Afterword: Studying Media with and without Paratexts
Attention for Chapter 3: Television Fandom in the Age of Narrowcasting: The Politics of Proximity in Regional Scripted Reality Dramas The Only Way Is Essex and Made in Chelsea
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