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Representing Religion in World Cinema

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Cover of 'Representing Religion in World Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Filmmaking, Mythmaking, Culture Making
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    Chapter 2 Jai Santoshi Maa Revisited:
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    Chapter 3 “My Story Begins Before I Was Born”:
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    Chapter 4 Orpheus on Screen:
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    Chapter 5 Between Time and Eternity:
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    Chapter 6 The Art of Presence:
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    Chapter 7 Pentecostalism, Prosperity, and Popular Cinema in Ghana
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    Chapter 8 The Islamic Apocalypse
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    Chapter 9 Performative Pilgrims and the Shifting Grounds of Anthropological Documentary
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    Chapter 10 Perfumed Nightmare
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    Chapter 11 Pathologies of Violence
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    Chapter 12 Santería and the Quest for a Postcolonial Identity in Post-Revolutionary Cuban Cinema
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    Chapter 13 “The Eyes of All People Are Upon Us”
Attention for Chapter 1: Introduction: Filmmaking, Mythmaking, Culture Making
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