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Violence and the Limits of Representation

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Cover of 'Violence and the Limits of Representation'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Violence and the Limits of Representation
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    Chapter 2 The Violence of Representation and the Representation of Violence
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    Chapter 3 Violence and Love (in Which Yoko Ono Encourages Slavoj Žižek to ‘Give Peace a Chance’)
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    Chapter 4 (Im)material Violence: Discipline and the Gaze in James Kelman’s How Late It Was, How Late
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    Chapter 5 Sadeian Women: Erotic Violence in the Surrealist Spectacle
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    Chapter 6 Demarcating Violence in the Dramaturgy of Lisa McGee’s Girls and Dolls
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    Chapter 7 ‘Skeletons of Solid Objects’: Imperial Violence in J.G. Farrell’s Empire Trilogy
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    Chapter 8 Contingent Violence: Bergson and the Comedy of Horrors in Schindler’s List
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    Chapter 9 Violence and Mediation: The Ethics of Spectatorship in the Twenty-First Century Horror Film
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    Chapter 10 Objects of Surprise: Violence, Security, and Metaphysics
Attention for Chapter 4: (Im)material Violence: Discipline and the Gaze in James Kelman’s How Late It Was, How Late
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Chapter title
(Im)material Violence: Discipline and the Gaze in James Kelman’s How Late It Was, How Late
Chapter number 4
Book title
Violence and the Limits of Representation
Published by
Palgrave Macmillan, London, January 2013
DOI 10.1057/9781137296900_4
Book ISBNs
978-1-349-45191-3, 978-1-137-29690-0
Authors

Graham Matthews, Matthews, Graham

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