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World Cinema’s ‘Dialogues’ with Hollywood

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Cover of 'World Cinema’s ‘Dialogues’ with Hollywood'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: World Cinema’s ‘Dialogues’ with Hollywood
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    Chapter 2 From Caligari to Edward Scissorhands: The Continuing Meta-Cinematic Journey of German Expressionism
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    Chapter 3 Dream Factory and Film Factory: The Soviet Response to Hollywood 1917–1941
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    Chapter 4 Anglo-American Collaboration: Korda, Selznick and Goldwyn
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    Chapter 5 From Pirandello to MGM: When Classical Hollywood Reads European Literature
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    Chapter 6 The Modernism of Frank Capra and European Ethical Thought
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    Chapter 7 The Transnational Journey of the Celluloid Baiana: Round-Trip Rio-LA
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    Chapter 8 The American Dream in Post-War Italy
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    Chapter 9 Colonising the European Utopia: Hollywood Musicals in Europe
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    Chapter 10 Sex, Gender and Auteurism: The French New Wave and Hollywood
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    Chapter 11 A Fistful of Yojimbo: Appropriation and Dialogue in Japanese Cinema
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    Chapter 12 All that Melodrama Allows: Sirk, Fassbinder, Almodóvar, Haynes
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    Chapter 13 Lost in Translation: A Few Vagaries of the Alphabet Game Played Between Bombay Cinema and Hollywood
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    Chapter 14 Between Sunrise and Sunset: An Elliptical Dialogue Between American and European Cinema
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    Chapter 15 Hero: How Chinese is it?
Attention for Chapter 12: All that Melodrama Allows: Sirk, Fassbinder, Almodóvar, Haynes
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Chapter title
All that Melodrama Allows: Sirk, Fassbinder, Almodóvar, Haynes
Chapter number 12
Book title
World Cinema’s ‘Dialogues’ with Hollywood
Published by
Palgrave Macmillan, London, January 2007
DOI 10.1057/9780230223189_12
Book ISBNs
978-1-349-54743-2, 978-0-230-22318-9
Authors

Eric M. Thau

View on publisher site

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