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Children in the Films of Alfred Hitchcock

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Cover of 'Children in the Films of Alfred Hitchcock'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Alfred Hitchcock’s Missing Children: Genre, Auteurship, and Audience Address
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    Chapter 3 “The Future’s Not Ours to See”: How Children and Young Adults Reflect the Anxiety of Lost Innocence in Alfred Hitchcock’s American Movies
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    Chapter 4 The Child Who Knew Too Much: Liminality in Alfred Hitchcock’s The Man Who Knew Too Much (1934, 1956)
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    Chapter 5 No Laughing Matter: Imperiling Kids and Country in Alfred Hitchcock’s Sabotage (1936)
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    Chapter 6 “If You Rip the Fronts Off Houses”: Killing Innocence in Alfred Hitchcock’s Shadow of a Doubt (1943)
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    Chapter 7 Daddy’s Girl: The Knowing Innocent in Strangers on a Train (1951)
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    Chapter 8 Renegotiating Romanticism and the All-American Boy Child: Alfred Hitchcock’s The Trouble with Harry (1955)
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    Chapter 9 Between Knowingness and Innocence: Child Ciphers in Alfred Hitchcock’s Marnie (1964) and The Birds (1963)
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    Chapter 10 The Child Hero in Alfred Hitchcock’s The Birds (1963)
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    Chapter 11 “It’s the End of the World!”: The Influence of The Birds on the Evil Child Film
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    Chapter 12 Psycho without a Cause: Norman Bates and Juvenile Delinquency Cinema
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    Chapter 13 Alfred Hitchcock’s Stylized Capture of Postadolescent Fatheads
Attention for Chapter 4: The Child Who Knew Too Much: Liminality in Alfred Hitchcock’s The Man Who Knew Too Much (1934, 1956)
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Chapter title
The Child Who Knew Too Much: Liminality in Alfred Hitchcock’s The Man Who Knew Too Much (1934, 1956)
Chapter number 4
Book title
Children in the Films of Alfred Hitchcock
Published by
Palgrave Macmillan, New York, January 2014
DOI 10.1057/9781137472816_4
Book ISBNs
978-1-349-50185-4, 978-1-137-47281-6
Authors

D. Elizabeth Ramsey

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