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The Modern Supernatural and the Beginnings of Cinema

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Cover of 'The Modern Supernatural and the Beginnings of Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 The Haunting of Film Theory
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    Chapter 3 Light and Lies: Screen Practice and (Super-) Natural Magic
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    Chapter 4 The Strange Case of George Albert Smith: Mesmerism, Psychical Research and Cinema
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    Chapter 5 Aesthetics of Co-registration: Spirit Photography, X-rays and Cinema
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    Chapter 6 Méliès’s Skeleton: Gender, Cinema’s Danse Macabre and the Erotics of Bone
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    Chapter 7 “Living Pictures at Will”: Projecting Haunted Minds
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    Chapter 8 Conclusion: Lost Worlds, Ghost Worlds
Attention for Chapter 3: Light and Lies: Screen Practice and (Super-) Natural Magic
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