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Imagining Transatlantic Slavery

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Cover of 'Imagining Transatlantic Slavery'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Inventing a Culture of Anti-Slavery: Pennsylvanian Quakers and the Germantown Protest of 1688
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    Chapter 3 (Re)mapping Abolitionist Discourse during the 1790s: The Case of Benjamin Flower and the Cambridge Intelligencer
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    Chapter 4 ‘Another Ida May’: Photography and the American Abolition Campaign
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    Chapter 5 Exchanging Fugitive Identity: William and Ellen Craft’s Transatlantic Reinvention (1850–69)
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    Chapter 6 Equiano’s Paradise Lost: The Limits of Allusion in Chapter Five of The Interesting Narrative
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    Chapter 7 Phillis Wheatley’s Abolitionist Text: The 1834 Edition
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    Chapter 8 Women and Abolitionism: Hannah More’s and Ann Yearsley’s Poetry of Freedom
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    Chapter 9 Representing Slavery in British Museums: The Challenges of 2007
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    Chapter 10 Coram Boy : Slavery, Theatricality and Sentimentality on the British Stage
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    Chapter 11 Significant Silence: Where was Slave Agency in the Popular Imagery of 2007?
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    Chapter 12 Afterword: Britain 2007, Problematising Histories
Attention for Chapter 7: Phillis Wheatley’s Abolitionist Text: The 1834 Edition
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Chapter title
Phillis Wheatley’s Abolitionist Text: The 1834 Edition
Chapter number 7
Book title
Imagining Transatlantic Slavery
Published by
Palgrave Macmillan, London, January 2010
DOI 10.1057/9780230277106_7
Book ISBNs
978-1-349-36765-8, 978-0-230-27710-6
Authors

Eileen Razzari Elrod, Elrod, Eileen Razzari

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