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Understanding Blackness through Performance

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Cover of 'Understanding Blackness through Performance'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Each Taking Risk, Performing Self: Theorizing (Dis) Narratives
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    Chapter 3 Transformative Womanist Rhetorical Strategies: Contextualizing Discourse and the Performance of Black Bodies of Desire
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    Chapter 4 “Is Anybody Walkin’?”: The Black Body on the Runway as a Performance of the Politics of Desire
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    Chapter 5 Transgressive (Re)presentations: Black Women, Vaudeville, and the Politics of Performance in Early Transatlantic Theater
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    Chapter 6 Kara Walker’s War on Racism: Mining (Mis)Representations of Blackness
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    Chapter 7 Between Mumblecore and Post-Black Aesthetics: Barry Jenkins’s Medicine for Melancholy
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    Chapter 8 From Book to Film: Desire in Precious (Lee Daniels, 2009), adapted from Push by Sapphire (1996)
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    Chapter 9 Black Queer Studies, Freedom, and Other Human Possibilities
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    Chapter 10 About Face, or, What Is This “Back” in B(l)ack Popular Culture? From Venus Hottentot to Video Hottie
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    Chapter 11 Margin Me: Intentional Marginality in the Queered Borderlands of Hip-hop
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    Chapter 12 Sculpting Black Queer Bodies and Desires: The Case of Richmond Barthé
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    Chapter 13 I Am Not a Race Man: Racial Uplift and the Post-Black Aesthetic in Percival Everett’s I Am Not Sidney Poitier
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    Chapter 14 Embodying Hybridity: Anna Deavere Smith’s Identity Cross-Overs
Attention for Chapter 11: Margin Me: Intentional Marginality in the Queered Borderlands of Hip-hop
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Chapter title
Margin Me: Intentional Marginality in the Queered Borderlands of Hip-hop
Chapter number 11
Book title
Understanding Blackness through Performance
Published by
Palgrave Macmillan, New York, January 2013
DOI 10.1057/9781137313805_11
Book ISBNs
978-1-349-45915-5, 978-1-137-31380-5
Authors

Stephany Spaulding, Spaulding, Stephany

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