Table of Contents
-
Book Overview
-
Chapter 1
Introduction
-
Chapter 2
Polyclitus among the Philosophers: Canons of Classical Beauty
-
Chapter 3
Body as Graced or Vile: Tensions in the Christian Vision
-
Chapter 4
The Smoke of the Soul: Anatomy, Medical Spirits and the Rete Mirabile : 1538–1643
-
Chapter 5
The Fizziness Business
-
Chapter 6
Flesh Revealed: Medicine, Art and Anatomy
-
Chapter 7
The Affective Body: Love, Virtue and Vision in English Medieval Literature
-
Chapter 8
Victorian Literature and Bringing the Body Back from the Dead
-
Chapter 9
Modernist Bodies: Coming to Our Senses
-
Chapter 10
Writing the Body: Modernism and Postmodernism
-
Chapter 11
Detective Fiction and the Body
-
Chapter 12
Pygmalion, Painted Flesh, and the Female Body
-
Chapter 13
Satyrs, Spiders, Jellyfish, and Mutants: Ovidian Metamorphosis in Contemporary Art
-
Chapter 14
Body, Space, Time
-
Chapter 15
‘Une écriture corporelle’: The Dancer in the Text of Mallarmé and Yeats
-
Chapter 16
The Erotic and the Sacred Body in Opera: The Venusberg to Monsalvat — and Beyond
-
Chapter 17
Celluloid Formaldehyde? The Body on Film
Attention for Chapter 15:
‘Une écriture corporelle’: The Dancer in the Text of Mallarmé and Yeats